Christoph Irniger, born 1979, is a Swiss saxophonist,
composer and bandleader. According to the Sunday edition of the Neue Zürcher
Zeitung he is “undoubtedly one of the greatest talents of his generation.” In
recent years, Irniger has made a name for himself in a range of line-ups,
playing jazz, rock and related musical styles. As a musician from a generation
which likes to work on multiple projects in eclectic styles, he leads a range
of outfits, all distinct and surprising musically. The Swiss magazine Jazz ’N‘
More writes: “He comes up with something new each time by leaving the beaten
tracks of sound. He doesn’t just look briefly left and right; he fights his way
into the thicket.” An instrumentalist with a firm education, and a composer
with an artistic vision, he consistently generates new ideas, realised thanks
to a passion for music. German magazine Jazzthetik says: “People who know about
jazz will confirm that he is one of the most promising musicians in
contemporary Swiss jazz.”
Irniger is leader of the band Pilgrim (with Dave Gisler,
Stefan Aeby, Raffaele Bossard and Michael Stulz) and the Christoph Irniger Trio
(with Raffaele Bossard and Ziv Ravitz), which between them have released four
albums so far: two by the Trio, Gowanus Canal (Intakt Records 2013) and Octopus
(Intakt Records, 2015) and two from Pilgrim, Mt. Tongariro (Between The Lines,
2011) and Italian Circus Story (Intakt Records, 2014). The latter featured in
three best album lists of 2014, including Cadence Magazine (USA). Jazzwise (UK)
described them as “a homegrown rising young sax star’s quintet!“ Irniger’s
debut recording Chat Noir was released in 2008 on Brambus Records.
Irniger loves jazz, and his playing is strongly rooted in
this tradition, influenced by its various exponents. He does not see jazz as
representing a particular sound or content, however, but as a way of making
music. He says, “to me jazz is that music which always processes the music of
its time. It’s more about how you play than what you play.” He gets ideas from every
style of music, and from life itself; in this sense, the main inspirations are
his home, Lake Zurich, the mountains, his family, people, travelling (above all
New York) and a range of other art-forms. They give him the themes and feed his
passion for music, and Irniger places melody above everything else. Even in
dense, complex passages, or within free jazz playing, he seeks out the moment,
and tries to give the various instruments’ melodic lines equal weight. The
journalist Peter Haffner writes of his compositions, “the pieces are tone
poems, which show that catchy melodies and complex soundscapes need not be
mutually exclusive, in fact they each need the other to come to fruition.”
His regular visits to Berlin and New York have led to a
number of diverse collaborations, including: Nasheet Waits (No Reduce
Jaywalkin’ (nWog, 2013)), Don Philippe, and the band Counterpoints with Ohad
Talmor, Bänz Oester and Vinnie Sperrazza. He has also played with Dave Douglas,
Chris Lightcap, Dan Weiss, Nils Wogram, Claudio Puntin, Max Frankl, Stefan
Rusconi, Mats Spillmann, Christian Weber, Chris Wiesendanger and Vera Kappeler.
He was a member of the Lucerne Jazz Orchestra for seven years and can be heard
on four of their recordings. He is also co-leader of the prog-rock band Cowboys
from Hell.
From 2000 to 2006 Irniger studied music education at the
Zurich Jazz School, and performance at the Lucerne School of Music with
Christoph Grab and Nat Su. In the following years he took lessons from Dave
Liebman, Mark Turner and Ari Hoenig. He won the Friedel Wald Foundation
development award in 2004, received the Borsa di Studio for Siena Jazz
University in 2006 and achieved third place in the 2010 ZKB Jazz Prize with the
Cowboys from Hell. Between 2015 and 2017 his band Pilgrim were awarded high
priority act from Pro Helvetia – Swiss Arts Council. His work has been
documented on twenty albums to date, five under his own name. He has played
concerts and tours throughout Europe, Asia and the USA.
Christoph Irniger initiated the concert series Jazz im
Seefeld and was co-founder of the Jazzwerkstatt Zürich festival. He is also
part of the programming team for the Unerhört! Festival and teaches at Zurich
University of the Arts and the Musikschule Konservatorium in Zurich.
Drummer, composer, arranger, educated M. D. Raised in
Szczecin, Poland, currently based in Copenhagen, Denmark. Master in Jazz
Performance and Composition at Danish National Academy of Music in Odense,
Denmark, Rhytmic Music Department. Leader of different projects from trio,
quartet to large ensemble. Active member of collective bands, mostly
Danish-Polish, like Entrails United, Entropy, The Beat Freaks among others.
Grand Prix Winner of 49. International Jazz Nad Odrą Festival in Wrocław,
Poland (2013). Receiver of Entrepreneurship Prize from the Danish Musicians’
Union (2016). The previous records have been critically acclaimed in Europe as
well as the US. The upcoming release Atlantic (MultiKulti Project) features the
guitar wizard Gilad Hekselman and focuses on finding a common ground for
various inspirations.
Radek took up piano at the age of 6 and classical percussion
at the age of 11. Even tough music was an important part of his upbringing it
was not until late teenage years when he developed an interest for the drums
and started pursuing various styles of music. After graduating from med school
in Poland he moved to Denmark to leave everything behind and investigate jazz
and improvised music on a deeper level. He is currently pursuing an Advanced
Postgraduate Diploma specialising in combining contemporary music with modern
jazz drumming. He has toured, recorded and performed in Poland, Denmark,
Germany, USA, Canada, UK, Norway, Ghana, Benin, Kenya and Tanzania. Some of the
highlights of his collaborations include the legendary Polish trumpeter Tomasz
Stańko, as well as guitarists Gilad Hekselman and Lionel Loueke. He is also
active on both Danish and Polish scenes, playing with who’s who from various
musical genres.
