Wednesday 16 January 2019

Trish Clowes All You Need To Know



Saxophonist Trish Clowes has been described as “one of the most agile and original jugglers of improv and adventurous composition to have appeared in the UK in recent times” (John Fordham, the Guardian). A BASCA British Composer Award winner and former BBC Radio 3 New Generation Artist, Clowes has received critical acclaim for all four of her releases for Basho Records.

Her My Iris quartet – with Chris Montague on guitar, Ross Stanley on piano and Hammond organ and James Maddren on drums – has been hailed as “the jazz of the future” (Augsburger Allgemaine). The band have toured and performed in the UK, Ireland and Germany, including appearances at the Barbican (EFG London Jazz Festival), the National Opera House (Wexford), Gateshead International Jazz Festival, Turner Sims, Women in (e)motion Festival and the Stadthaus Ulm.  They have also recorded broadcasts for BBC Radio 3 and Radio Bremen. Their 2017 album, also called ‘My Iris’, received plaudits and acclaim from jazz critics. Dave Gelly of The Observer wrote that ‘with just four players, the variety of tone colour is remarkable’ and Cormac Larkin in The Irish Times suggested that “(My Iris) represents the front rank of the new generation of UK jazz.” My Iris will release a brand new album in May 2019.




Born on May 11th 1984, Clowes was raised in Shrewsbury, Shropshire and moved to London in 2003 to study at the Royal Academy of Music, notably with saxophonist Iain Ballamy and composer Pete Churchill. Clowes was later honoured as an Associate of the Royal Academy of Music (2013). She formed her first group ‘Tangent’ following a development award from the Musicians Benevolent Fund (now Help Musicians UK) in 2008. Clowes’ first album ‘Tangent’ in 2010 featured this band, special guest pianist Gwilym Simcock and an orchestra conducted by Jules Buckley and was noted for its “promise – and ambitious vision” (Guardian). Her second album ‘and in the night-time she is there’ (2012) featured an improvising string quartet led by Thomas Gould and Clowes recorded her “highly individual” (Schweiz am Sonntag) third album ‘Pocket Compass’ (2014) while a BBC Radio 3 New Generation Artist, working with the BBC Concert Orchestra on three tracks.

Clowes has been commissioned by BBC Radio 3 on two occasions to write for the BBC Concert Orchestra. The first commission, ‘The Fox, the Parakeet and the Chestnut’, was premiered at the Queen Elizabeth Hall in 2014, featuring a quintet with Gwilym Simcock, Mike Walker, Calum Gourlay and James Maddren. The piece went on to win Clowes a BASCA British Composer Award in 2015. Clowes premiered her most recent commission, entitled ‘Loujean and Lucy’, at the Royal Festival Hall in November 2017 as part of the EFG London Jazz Festival – this time featuring just two soloists, Clowes and pianist Ross Stanley. The piece celebrates the story of two women brought together through the Homes for Syrians initiative. During the same concert Clowes and Stanley made use of the hall’s famous organ, performing a duo version of Clowes’ ‘A cat called Behemoth’ (inspired by a character in Bulgakov’s The Master and Margarita).




Alongside her work as a performer and composer Clowes has been curating her own new music project Emulsion since 2012, which she now organises with saxophonist Tom Harrison. Emulsion has hosted various events and festivals in London, Birmingham, Shrewsbury and at Cheltenham Music Festival, receiving coverage on BBC Radio 3 along the way, and to date has commissioned seventeen new works. Featured collaborators include ECM artists Food (Iain Ballamy and Thomas Strønen), pianist-composers Nikki Iles and Robert Mitchell and composers Joe Cutler and Cevanne Horrocks-Hopayian. Over the years the project has received funding from PRS for Music Foundation, Arts Council England, Musikfondene (Norway), Jerwood Charitable Foundation, Birmingham City University and its own Kickstarter backers.

Other significant achievements include a television appearance as part of BBC Proms Extra, a songs project called Under Your Wing with vocalist Norma Winstone and guitarist Mike Walker (broadcast on BBC Radio 3, 2014), solo appearances with BBC Scottish Symphony Orchestra (Celtic Connections 2014) and Northern Sinfonia, a debut at Wigmore Hall (2015) with the Heath Quartet and Gwilym Simcock and commissions for Onyx Brass and London Sinfonietta.

After an inspirational experience at the Banff International Jazz Workshop (2015, curated by Vijay Iyer), Clowes decided to research Emulsion’s potential as an immersive performance space and is currently a PhD candidate at the Royal Birmingham Conservatoire with a STEAM Scholarship. Her supervisory team includes Dr Nicholas Gebhardt, Dr Joe Cutler, Dr Tony Whyton, Dr Vijay Iyer and Fiona Talkington.

The work of a musician goes beyond the stage and Clowes is passionate about her roles as professor at the Guildhall School of Music and Drama and ambassador for the charity Donate4Refugees.



Website - http://trishclowes.com/

Track Listings for the Radio shows 29th November and 1st December 2018


Below is the track listing for the Boogie Wonderland Show . A link to the show can be found here: 

The Boogie Wonderland Show - 29/11/2018 Playlist
Roberto Bronco   Move In Silence
Stuce The Sketch   Silver Days (feat Wenawedwa)
Sunshine Anderson    Heard It All Before
Weber & Weber   The Soul
DJ Spinna vs Rich Medina    Reality
Glam Sam And His Combo   Deep In My Soul
Kenny Summit Frankie Knuckles & Eric Kup    Loving You
Mark Farina & Homero Espinosa   Work Groove
Michiko   No Place Like Home
1  One Hour
Trish Clowes Interview   Part 1
2  Blue Calm
Trish Clowes Interview   Part 2
3  I Can't Find My Other Brush
Trish Clowes Interview   Part 3
4   A Cat Called Behemoth
Trish Clowes Interview   Part 4
5  Muted Lines

Below is the track listing for the Crazeology Radio Show d A link to the show can be found here:

The Crazeology Radio Show - 01/12/2018
Fima Ephron   Beaulieu
Gerado Frisina   Camaguey
Jaan Wessman   Promises To Keep
Jose James   Grandma's Hands
KUU    Crossing Border in a Milktruck
Josephine Davies Sator   Song of the Dancing Saint
John Scofield    Can't Dance
Liraz    Be man nagoo
Kartarina Ernst   01_x_01
1  One Hour
Trish Clowes Interview   Part 1
2  Blue Calm
Trish Clowes Interview   Part 2
3  I Can't Find My Other Brush
Trish Clowes Interview   Part 3
4   A Cat Called Behemoth
Trish Clowes Interview   Part 4
5  Muted Lines

Monday 7 January 2019

Matthew Golombisky All You Need To Know



Matthew Golombisky is a USA-born, Buenos Aires-living acoustic & electric bassist, composer, improviser, conductor, and educator who also wears many hats like the director/founder of independent record label ears&eyes Records, (past) conductor & artistic director of youth orchestra, Orquesta Creer Es Crear, in Avellaneda, Argentina, curriculum developer, teaching artist and board member of 501(C)3 non-profit Institute for Creative Music and in the past has taught in schools such as SPACE, Mynah Music, Hilldale, Asheville Music schools, stage managed for Pitchfork Music Festival, Hideout Block Party, The Swell Season, Peter, Bjørn & John, DJ-ed/produced radio for WNUR 89.3FM, curated an annual ears&eyes Festivals, ideated for Clorox, and wrote, composed and directed musical theatre for Bizzo!.


Matthew has lived and been active in music, festival, and film scenes in the San Francisco Bay Area, Chicago, New Orleans, Buenos Aires Argentina, upstate New York, and Asheville NC, as well as toured the USA and Europe with bands such as IfCM, NOMO, Zing!, Jhelisa, Golombisky-Kirchner duo, WATIV, QMRplus, & more.




AllAboutJazz and writer Jakob Baekgaard recently called Matthew a modern “renaissance man” (the article has more than 26,000 views/reads). He is a forward moving, fast acting, and busy artist. Between his acoustic/electric bass performing, commissioned compositions (including his work on Australian singer/songwriter Via Tania’s latest album, featuring his Tomorrow Music Orchestra, his film scoring contributions to Argentine director Alejo Domínguez’s feature film, La Soñada, or creating improvisation teaching supplements for the Institute for Creative Music), directing, filming and editing music videos and/or release trailers (ie. Cuentos, Chad Taylor, Nate Lepine, TMO, Quintopus, Matija Dedic, blink.), creating layout design work and/or photography for websites and albums (e&e.com, Matija Dedic, Hood Smoke, Pedway, Quintopus), conducting, directing and composing for at-risk youth orchestra, Orquesta Creer Es Crear in Argentina where they performed in the tango-famed Teatro Roma, founding/directing Chicago-based indie label, ears&eyes Records (2018 marks eleven years), and now releasing his newest double EP cassette, Cuentos Vol. 1 & 2, just maybe he can back AllAboutJazz’s forceful claim.




Matthew's undergraduate studies at the University of North Carolina at Asheville led to a B.A. in Jazz Studies/Bass Performance with an emphasis on 20th Century Classical music & theory, while earning the Distinction in Music Award, and masters studies to a M.M. in (classical) Composition from the University of New Orleans after a brief stint at Northwestern University after Hurricane Katrina swept through New Orleans in August 2005.

Matthew’s discography includes over 50 recordings featuring his performance, compositions, conducting, film scoring, artwork/design, photography, recording/mixing, and/or production.

He has taught performance, improvisation, composition, theory, recording techniques, and music marketing to children and adults for 20 years in schools and colleges across the nation. He joined the IfCM Collective to travel the USA, teaching clinics to high school and college students his methods of composing, improvising and conducting. In 2013, he teamed up with like-minded musicians/educators John Nash, Patrick Liddell and Elisabeth Johnson and founded a not-your-typical music-school school in Oakland CA to promote experiencing/learning music as a whole art form, as something relevant and exciting, called Mynah Music. Most recently, he became the Music Director and conductor of a youth orchestra in Buenos Aires, Argentina in a government funded program inspired by Venezuela's El Sistema.

His composition style is wide ranging, steeped in modern classical, experimental, experiential, thoughtful, jazz, rock and pop genres, but never limits himself to anything and absorbs all music listened to. He creates moods and aural images that captivate, intrigue, invigorate, confuse and/or excite his audience.