Monday, 7 January 2019

Matthew Golombisky All You Need To Know



Matthew Golombisky is a USA-born, Buenos Aires-living acoustic & electric bassist, composer, improviser, conductor, and educator who also wears many hats like the director/founder of independent record label ears&eyes Records, (past) conductor & artistic director of youth orchestra, Orquesta Creer Es Crear, in Avellaneda, Argentina, curriculum developer, teaching artist and board member of 501(C)3 non-profit Institute for Creative Music and in the past has taught in schools such as SPACE, Mynah Music, Hilldale, Asheville Music schools, stage managed for Pitchfork Music Festival, Hideout Block Party, The Swell Season, Peter, Bjørn & John, DJ-ed/produced radio for WNUR 89.3FM, curated an annual ears&eyes Festivals, ideated for Clorox, and wrote, composed and directed musical theatre for Bizzo!.


Matthew has lived and been active in music, festival, and film scenes in the San Francisco Bay Area, Chicago, New Orleans, Buenos Aires Argentina, upstate New York, and Asheville NC, as well as toured the USA and Europe with bands such as IfCM, NOMO, Zing!, Jhelisa, Golombisky-Kirchner duo, WATIV, QMRplus, & more.




AllAboutJazz and writer Jakob Baekgaard recently called Matthew a modern “renaissance man” (the article has more than 26,000 views/reads). He is a forward moving, fast acting, and busy artist. Between his acoustic/electric bass performing, commissioned compositions (including his work on Australian singer/songwriter Via Tania’s latest album, featuring his Tomorrow Music Orchestra, his film scoring contributions to Argentine director Alejo Domínguez’s feature film, La Soñada, or creating improvisation teaching supplements for the Institute for Creative Music), directing, filming and editing music videos and/or release trailers (ie. Cuentos, Chad Taylor, Nate Lepine, TMO, Quintopus, Matija Dedic, blink.), creating layout design work and/or photography for websites and albums (e&e.com, Matija Dedic, Hood Smoke, Pedway, Quintopus), conducting, directing and composing for at-risk youth orchestra, Orquesta Creer Es Crear in Argentina where they performed in the tango-famed Teatro Roma, founding/directing Chicago-based indie label, ears&eyes Records (2018 marks eleven years), and now releasing his newest double EP cassette, Cuentos Vol. 1 & 2, just maybe he can back AllAboutJazz’s forceful claim.




Matthew's undergraduate studies at the University of North Carolina at Asheville led to a B.A. in Jazz Studies/Bass Performance with an emphasis on 20th Century Classical music & theory, while earning the Distinction in Music Award, and masters studies to a M.M. in (classical) Composition from the University of New Orleans after a brief stint at Northwestern University after Hurricane Katrina swept through New Orleans in August 2005.

Matthew’s discography includes over 50 recordings featuring his performance, compositions, conducting, film scoring, artwork/design, photography, recording/mixing, and/or production.

He has taught performance, improvisation, composition, theory, recording techniques, and music marketing to children and adults for 20 years in schools and colleges across the nation. He joined the IfCM Collective to travel the USA, teaching clinics to high school and college students his methods of composing, improvising and conducting. In 2013, he teamed up with like-minded musicians/educators John Nash, Patrick Liddell and Elisabeth Johnson and founded a not-your-typical music-school school in Oakland CA to promote experiencing/learning music as a whole art form, as something relevant and exciting, called Mynah Music. Most recently, he became the Music Director and conductor of a youth orchestra in Buenos Aires, Argentina in a government funded program inspired by Venezuela's El Sistema.

His composition style is wide ranging, steeped in modern classical, experimental, experiential, thoughtful, jazz, rock and pop genres, but never limits himself to anything and absorbs all music listened to. He creates moods and aural images that captivate, intrigue, invigorate, confuse and/or excite his audience.



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